The flow of your show is key to keeping clients happy and pleased with your year-end performances. The goal should be a quick, seamless, and stress-free performance, which requires a significant amount of time and strategy on the back end.
The number one place where planning and flow can go awry is at the transition points. If you spend some time thinking them through, you will be rewarded with amazing memories, happy clients, a fast-paced show experience, and strong enrollment and retention.
1) Keep It Concise
Think about your audience’s attention spans:
Are your shows a reasonable length?
Do they contain variety?
Take the ego out of the mix and think about:
The audience member who may be a grandparent or parent of a dancer.
The performer who may only be in 1-2 dances.
Will they feel the value of their performance?
If you keep it concise, everyone will leave feeling upbeat, positive, and energized.
2) Pre-Show and Post-Show
You’ll want to have a clearly communicated game plan for:
Backstage Expectations and Behavior
Post-Show Exit Strategy
Family members are going to want to know their dancer is safe, happy, and engaged throughout the duration of the show. Communicate how you’ll make that happen and what role they’ll play in the process.
If a dancer is feeling stressed or anxious, make sure you have a plan for handling it.
For safety and organizational purposes, you’ll also want to have a system that accounts for everyone that is coming and going. Check In Pointe is a great tool to consider.
3) On-Stage Tips to Keep the Show Moving
“Deadtime” on a stage will steal the momentum, excitement, and energy of your show.
Make sure there’s a clear stage enter/exit strategy for each routine that alleviates traffic jams and congestion.
Set your program so costume changes can be executed in a timely manner. Identify quick changes ahead of time. If you need a filler, organize it in advance.
Keep three to four dances “on deck” so routines are continually moving on and off stage.
If you have an emcee or host, clearly detail your expectations, time constraints, etc., from the beginning.
With a little forethought and planning, these transitional moments that can trip up flow will be smooth, seamless, and will leave everyone gushing about your studio and show!
Looking for more great ideas from Chasta? Check out the following articles:
Recitals are back, baby! If you’re like me, you feel nothing but excitement for that familiar dusty, wooden smell of a theater.
Before you jump to the celebration, take some time to think about these five important tips for de-escalating stress and conflict.
1) This isn’t 2019.
Keep in mind this is a different world from 2019. We are still emerging from the pandemic, and people can be overwhelmed and stressed by the emergence of events and expectations. Be gentle with their questions, concerns, and anxieties.
Right now, you can’t communicate enough.
Create information hubs
Take it back to the basics
Make it easy to understand
Keep the information accessible
Make sure you’re hitting communication impressions in a variety of ways (e.g., email, social media, in-person)
3) Set Detailed Expectations.
Whatever you expect of someone right now, you need to communicate it in advance with clear, concrete, and tangible expectations and deadlines. If there are consequences for not complying, provide those details as well. Even if the expectation formerly existed, take time to re-establish these boundaries to avoid confusion and frustration.
4) Take the Lead.
People will follow your energy. If you are frazzled, stressed, and constantly complaining, your community will follow suit. Lead with love, and your community will do the same.
5) Be Present.
Your greatest tool for de-escalation is listening and addressing concerns in a timely manner. Whether involving clients or staff, do not allow your leadership fatigue to default to avoidance. Once you hear about the concerns, you can collaboratively and productively move forward.
Recitals are back, baby! While you may be bubbling with excitement for show days, others may need a reminder about WHY this is an exciting time.
Here are five ways to build the hype within your community, so everyone can share in the fun and celebration!
1) Make It Educational and Informative.
How can you turn your recital routines into engaging conversation points?
Maybe you’re discussing the music selection, the choreography inspiration, or the rationale behind the theme or choreography concept.
The more you can make the routine experience bigger than the dancers’ time within the studio, the more meaningful students will feel towards their performance.
2) Get the Parents Involved.
The strongest extracurricular programs celebrate the trifecta of parent, participant, and instructor.
To boost parent engagement:
Share the music link
Share a home practice video
Invite them to an in-studio sneak peek prior to the big performance day (this is a great way to distribute key information as well)
3) Keep the Stress to a Minimum.
Has something historically been high stress about your shows (e.g., ticketing, seating, backstage, or merchandise orders)?
Think of ways to make things as easy and fun as possible.
4) Embrace the Theme.
How can you infuse the excitement of the show into your studio’s culture?
Decorate the building
Discuss the benefits of performance
Celebrate the accomplishment!
5) Be Generous with Praise.
We’ve waited a long time for performances to return! Even if there are bumps and hiccups, don’t forget how important it is to spread joy through the process of performing. When dancers feel good about their performance, they’ll want to do it again. This is a win-win for our dance studios!
It’s the most wonderfully crazy time of the year: Recital Season! While we may not fully be “post-pandemic,” we are most certainly entering the most normal performance season we’ve had since 2019. Entering this new normal means that we can make adjustments to better serve our shows, our businesses, and our clients.
And, while you may think these four-letter words are reserved for the shipping delays, the one size of a costume you desperately need but can’t find, the client that asks you in May to remind them of the recital date, or the venue that “forgets” to send the contract, they’re actually four-letter words designed to better serve YOU.
Free is a word that needs to be eliminated from your vocabulary.
Free essentially equates to a cost to the company.
If you added up your giveaways, ranging from complimentary tickets to t-shirts to swag, you’d probably be amazed at the amount of revenue you are missing out on. Just like lines are important on stage, your line items on your expense sheets are of equal importance. Don’t throw away unnecessary dollars!
Packs are bundles that are inclusive of multiple things: tickets, media, t-shirts, souvenirs, and so on. If you create a recital pack, it is SUPER important to itemize it out and make sure you aren’t tiptoeing into the “free zone.”
There should still be a solid profit margin.
If you are selling “at cost,” you are operating at a loss.
When pricing items, take into consideration the time required to strategize, collect, process, sort, and deliver orders. You should be charging enough to cover that amount of time and still earn a profit.
Make sure people understand what you’re selling (the recital and all of its components) and why it matters. The year-end performance is a HUGE event that will make a memorable impression on your clients, and you don’t want anyone to feel confused, uninvolved, or excluded.
Clarify the fees, communicate upcoming happenings and deadlines, show them examples of what they can expect, and generate excitement that will result in people wanting to buy into the experience.
Your attitude is an incredible sales tool! If you’re stressed, your clients will sense that stress. If you’re excited and sharing the GOOD about the process and all of the things you offer, they’ll get on board, too.
Year-end performances are huge undertakings that require an extreme amount of time, preparation, and detailed processes. While you’re busy helping everyone around you, don’t forget to help yourself!
Don’t wait until the last minute
Put processes in place and delegate
Surround yourself with great vendors that support you in achieving your goals
Apply these tips, and you’ll walk away from your performances with only two four-letter words left in your mind: EPIC BOSS.
Looking for more great ideas from Chasta? Check out the following articles:
Recital Season is upon us! For most dance studios, this is “the big game” in our industry. It is an opportunity to build community over a shared interest, celebrate your students’ progress, and impress your clients. There’s no better marketing tool than an efficient, polished, and purposeful recital experience!
In order to make it happen, you have to (1) be prepared in your organization and leadership, (2) you have to communicate expectations and standards in advance, and (3) you have to follow through.
Below are 3 tips that have helped us immensely in curating an amazing Recital Weekend Experience!
THE RECITAL ROOKIE
For many in the dance industry, the concept of a dance recital is second nature. This likely is not the case for the majority of your clients. Often, they are new to the recital experience, or at the very least, they may be new to your studio’s systems and processes.
Your clients are also probably busy and juggling a million things. They may miss an email, feel overwhelmed at the thought of making a bun, or misinterpret the correct way to put on a recital costume. That’s okay!
It is easy to react with frustration, but this season, shift the perspective and approach your clients with empathy and understanding. It will go a long way in building client loyalty!
We’ve helped educate Recital Rookies in the following ways:
Personal posts that are counterintuitive to your professional/personal brand
Language that may seem degrading to another studio or program.
THE DIGITAL EVOLUTION
Outside of the strategies listed above, consider how you can use digital opportunities to create a more interactive, modern experience for your clients.
A few ideas include:
Make sure studio sound stations/equipment are appropriate for modern technology
Implementing easy ways for families to enroll and pay for programming.
Transition from printed program books to digital program books
Create marketing materials that showcase well in digital content
Revise/ modernize your Recital Photography + Videography Procedure
Create a studio-wide motto/hashtag that generates brand consistency between digital and actual platforms
Looking for more great ideas on how to Rock Your Dance Recital? Check out the following articles:
There is no doubt that this time of year for studio owners can be hectic and, let’s face it, a little crazy! With recital on the horizon, class placements being prepped, and audition details coming together, it’s not surprising that you may begin to physically feel the effects of stress of the busy season.
I went through far too many years of entrepreneurship knowing this season was coming and yet not quite prepared for it to the degree I should have! Now that I know better though, I do better. And one of the best ways I do better is by understanding that yes, it will be busy, and yes, I can still take good care of myself. And I encourage YOU to do the same!
It’s so easy to get swept up into stress and let it overtake your mindset. But you know what’s also pretty easy? Making a plan to relieve that stress by having a few simple tactics in your pocket. Here, I’m going to share my best tips for thriving in the busyness of your life. These are all things that help me tremendously at this time of year, and I hope they will serve you well too!
Here are my 5 Quick Ways to Recharge During the Busy Season:
Commit to self-care in the morning
The morning can often dictate how the rest of your day goes, so decide now that your mornings will be proactive for your peace of mind. Spend a few quiet minutes in meditation or prayer; edit your to-do list; read one chapter of an inspiring book; brew your favorite coffee or tea; move your body through some gentle stretching or yoga. Have a ritual in place—even a short one—that will encourage you to start the day with your best foot forward.
Go outside at least once a day
A few deep breaths of fresh air can change your entire frame of mind when you are caught in the whirlwind of busyness. Don’t trick yourself into thinking that you should go all day at your desk with only a few stretch breaks. Try to block out 15 minutes here and there to step outside, walk around the block, and enjoy a change of scenery. You may be surprised at how refreshed you feel!
Connect with friends who understand
I personally think this is one of the best ways to combat the weariness that can accompany long work days: human connection. Our tendency as entrepreneurs is to isolate ourselves when we feel stress when really it’s much more helpful to reach out to others! Maybe you don’t have time for a long heart-to-heart phone call, but sending a quick text or email to check in with a friend can give you a burst of energy AND put a smile on your face.
Fuel up with your favorite things
When you’re in busy mode, don’t let yourself fall into the trap of poor nutrition habits! Stock up on your favorite healthy snacks, treats, or meals to keep you going. Now’s the time to splurge on the protein bars you crave, the smoothies with extra vitamins, or maybe even the meal delivery service you’ve been meaning to try. Your health can’t be taken for granted at any time—and most especially when you need to be on your A-game.
Give yourself a chance to wind down
Resist the urge to completely crash at the end of the day. Your evening routine should allow you the chance to center yourself and relax. As hard as it is to do, put your phone and computer in another room to charge, and focus on yourself and your family before turning in for the night. Your mind will feel clearer and more rested to take on whatever’s next.
Recharging during this time of year can be a challenge, but if anyone can accept a challenge and overcome it, it’s a studio owner! I want you to feel encouraged that this season of “busy” can also be a season of “health” if you are committed to it. I know that for me, this time of year now holds more excitement than stress because I’m able to look out for my well-being in a way I didn’t know how to do before.
If you have another method of recharging that works well in your life, share it in the comments below! I would love to hear what helps keep you fueled, prepared, and nourished during this time of year. I wish you much success as you charge full-steam ahead into the coming weeks!
Looking for more tips keeping your sanity through the busy season? Check out the following articles:
We recently teamed up with Jackrabbit Dance for a webinar on how to produce a more profitable recital. Check out the recording above or read through the main points below for tips on how to financially improve your biggest production of the year!
Three BIG Ideas to Make Your Recital More Profitable
Is it okay to make money on your recital?
How do you collect money for your recital?
Recital fees: 38%
Ticket sales: 62%
Do you sell your tickets as reserved seating?
Recital Fee vs. Online Sales
Many studio owners ask: “Should I charge a recital fee or just do ticket sales?” The answer is BOTH. The recital fee allows you to capture revenue at the beginning of the dance year, but a ticket sale presents an opportunity later in the year to maximize your profits in ways that add value to the experience of your performers and attendees.
And that leads us to BIG Idea #1…
Big Idea #1: Bundle and Sell Online
Consumers spend more when they use a credit card than when they make purchases with cash. You can present merchandise purchase options with your ticket sales and customers will be more likely to buy, especially if they perceive that there is a bundle.
Big Idea #1: Bundle and Sell Online, cont’d.
All of our clients who sell merchandise online in advance report higher merchandise sales, with some reporting a 2x increase over previous years when they would accept cash only at the event. In addition, online sales enable you to more closely approximate the amount of merchandise you need to have on hand, so you have less inventory that goes unsold.
Big Idea #2: Inventory Management/Reserved Seating
Recognize that your seats are your inventory, and sell them in the most appropriate way to make more money. Seats in the front are worth more than seats in the back. If ticket buyers complain about a change in prices this year, explain that prices for the seats in the back are the same, but seats in the front are worth more, and therefore cost more.
So, why should you price seats according to their value?
Better experience for the ticket buyer = higher perceived value.
Offer perks for more loyal families.
Increases urgency to get the ticket = you get the money in hand sooner.
2016 Per Ticket Data
Reserved seating is a type of seating setup in which the ticket buyer can choose specific seats they want to sit in. Now, why is this important?
The average price paid in 2016 for a general admission ticket to a dance recital nationwide was $10.80, vs. $14.03 for a reserved ticket! That’s a 30% difference!
2016 Per Ticket Data, cont’d.
Moreover, the average gross per event with general admission seating was $1,715, while the average gross per event with reserved seating was $5,370! Don’t leave money on the table!
Big Idea #3: Generate Leads
Owners put forth an inordinate amount of effort into producing a recital, and most of the time, the only people exposed are the ones who already know how great their studio is! That’s such a waste! Your RECITAL is a prime opportunity to SHOWCASE your studio to prospective families and the community.
Invite “warm” prospects to your recital
Donate tickets to community charities
Leverage local schools / end of year activities
BUNDLE and sell online
Manage your INVENTORY wisely
Use your recital to GENERATE LEADS
So you want to sell tickets and merchandise online—now what?
TutuTix: The Easiest Way to Sell and Distribute Tickets to Your Dance Performances
How It Works: Step 1 – You Sign Up Online
It’s easy to get started with our easy online sign-up form. We just need some basic information in order to set up your events, including:
Your event info
The ticket prices
The date you want your tickets to go on sale
Your seating chart (if you plan on using assigned seating)
Your dedicated relationship manager will walk you through the process and help you fill in the blanks, and answer any questions you may have. After we have your information, our staff sets up your event, and you’ll get a final opportunity to review your event before we make tickets available to the public.
How It Works: Step 1 – You Sign Up Online, continued.
Codes? Comps? No Problem! With more than 1,200 clients nationwide, chances are, we’ve done every kind of presale setup there is. We can do:
Reserved seating, general admission, and mixed reserved/general seating.
Promo codes, discount codes, and comps.
Shopping cart for multiple performances or merchandise sales.
How It Works: Step 2 – Patrons Buy Tickets
When your tickets go on sale, your patrons can buy them:
Online at tututix.com/yourstudioname
On their mobile devices
From our toll-free call center
How It Works: Step 2 – Patrons Buy Tickets, continued.
For reserved seating, online ticket buyers can select their own seats with our easy-to-use seat selector.
How It Works: Step 2 – We Deliver Tickets
To Your Patrons – Your patrons can choose to get tickets delivered instantly to their email or smartphone or to have souvenir tickets mailed to them. Tickets are mailed out immediately and usually arrive within one week of purchase.
And to You – A few days before the event, we print any unsold tickets on the same keepsake ticket stock and ship them directly to you for FREE as part of our Door Ticket Kit so that you can have tickets on hand for door sales.
You Get Paid Weekly
We deposit ticket proceeds into your account weekly, giving you the flexibility to use those funds when you need them.
Your patrons can choose to have full-color, foil-embossed barcoded keepsake tickets mailed to them. We even print the dancer’s name directly on the tickets! Tickets are mailed out immediately and usually arrive within one week of purchase.
Customizable Print-at-Home Tickets
Our print-at-home tickets are customizable! You can promote upcoming classes, workshops, or performances, or even sell advertising to your event sponsors!
Door Ticket Kit
Our FREE door ticket kit makes it easy to sell any remaining tickets on the day of your event.
There’s nothing more satisfying than the feeling you get when your studio is thriving! When the hallways are buzzing and the classes are full, you feel such pride in having grown your business to a successful place. But it’s not all sunshine and daisies, of course. Success can also mean growing pains in every facet of your business—especially at recital time.
As your studio gains families and dancers, you will inevitably need to decide how to present your recital in the best way possible, which may mean adding shows as you grow. The single 90-minute performance that worked well five years ago might no longer be a reasonable option if you’ve doubled your student count since then. While there’s no magic enrollment number that equals two shows (or three or four!) there are certain factors you can consider in your planning process.
If you are at the tipping point, keep reading to learn about the four factors to consider when deciding whether to add a second show for your recital:
Here are the four factors to consider when deciding whether to add another show for your recital:
Your enrollment vs. the number of seats at your venue. Take a look at your current student count and compare it to the number of seats available for you to sell. If each student brought two guests, would you fill all the seats? What about three or four guests each?
My takeaway when it comes to available seats is that you a) want your customers to invite as many guests as they want, and b) you don’t want to risk selling out of tickets. Turning people away not only feels bad for a studio owner, it’s just not great for business (I’ve been there and wouldn’t want to go back!).
The total length of time for a show. If your recital is over two hours (including intermission), it’s time to consider adding another show. If Disney can’t keep our attention for more than two hours in a movie, then we probably can’t keep an audience’s attention for longer than that either.
To forecast what this year’s recital length would be like, look at the number of routines your recital has and how long each routine is estimated to last. Total up that amount of time and add in a minimum of 30 seconds per routine as a buffer, plus the time you allow for intermission, announcements, or any other presentations. That should give you an accurate approximation of how long your show would be.
An ideal number will be under 120 minutes. We’ve gone to as many as six shows in the past and then cut back to five shows to try to make things easier on the staff. But the shows got too long, so guess what? Back to six shows we go in 2019.
Backstage organization. Think about your venue’s backstage area: are your students feeling cramped in their dressing rooms? Do they have to wait long stretches of time before they dance on stage? A yes to either question might be a sign that it’s time to branch out to an additional show.
Ask your staff and volunteers what it’s like backstage from their perspective. Sometimes all the organization in the world won’t help if there is simply not enough space.
Customer feedback. If you haven’t already done so, survey your customers about their previous recital experience at your studio. Ask questions like:
Were you able to get the tickets you needed?
Was the ticketing process painless or panicked? Was the length of the show too short, too long, or just right?
Did your child have a good experience backstage?
These answers will be useful for you to evaluate as you are making recital decisions, and they may nudge you toward adding another show if the feedback tells you that it was hard to get tickets or the show felt too long. Understanding the recital from your customers’ points of view will be helpful, so offer the survey with an open mind and a willingness to make changes.
As you make recital plans and decide how many shows to present, look at these four factors as your guide to the best path forward. Most studio owners I know are always in pursuit of a perfect recital plan so the day can run smoothly and customers are pleased with the experience. While perfect may not be practical, I do believe excellence is always within reach!
In the comments below, tell us how you plan to proceed with recital this year, or what you are thinking about doing differently. You can also connect with me on social media @mistylown to continue the discussion of recital shows. In the meantime, I’ll be cheering for you as you plan for the big show!
Are you looking for some more recital tips and ideas? Check out these other articles and resources from Misty:
This year, in order to make sure everyone is fully prepared for recital, we are taking a proactive approach to dance recital shoes and checking shoes in class. That way, we can directly communicate with parents that may need to purchase or borrow a new pair or clean up their current shoes.
The details really do matter for a stage ready look! When checking shoes, take the following into consideration:
Correct Style – having recommended brands for parents to go find can be a HUGE help in this category
Correct Color – do the recital costumes require a different color than what is typically worn in class?
Proper Fit – has the dancer’s foot grown throughout the course of the dance year?
Condition of Shoes – has dance class taken a toll on a pair of shoes, making them preferable for practice instead of performance?
It’s very important for dance recital shoes to fit properly, and to look the part: performance-ready!
For dancers who need to replace their pointe shoes, or who want to have an extra pair just in case, make sure they and their parents know the right way to get fitted for pointe shoes. Sometimes a studio will go as a group to get fitted, or might bring in a fitter for a class’ first pair. But close to recital season, studio owners and teachers won’t have time to help each dancer prepare their own materials.
If parents require some redirection, make sure you give them plenty of time to properly replace shoes. Last minute notices may create unnecessary tension or frustration. When you approach it collaboratively, it will usually yield the most successful results!
Want to make your recital picture days as efficient as possible? Pre-plan the classes’ portrait poses, so that they can be immediately prepared when they enter the photo room. There are several things to think about when planning your studio’s recital photos. But, if you put in a little preparation you’ll save yourself stress and save everyone time on the day of recital pictures.
Timing and Location
When are you going to have your recital pictures taken? Will it be at the dress rehearsal, or on the day of the recital? Will you be having your dress rehearsal at the performance venue?
Answering these three questions will determine a lot of things about your recital pictures: the scenery and setting, how much time you’ll have to get good pictures, if you’ll be hiring the photographer for one or two nights.
Let’s say you take your recital pictures the night of the dress rehearsal, and have access to the performance venue.
This means that your advance work might mean going by the venue and picking a good spot for photos, and scheduling the pictures as part of the evening! The only downside might mean the cost for the photographer for an extra night (unless you have a package deal that includes recital pictures and performance pictures).
With some good logistics and planning with your teachers, you can have one group of dancers taking pictures, and then heading for the stage so that there aren’t any dancers (and parents) sitting and waiting.
If you take your recital pictures prior to the recital but don’t have access to the venue, you can be a little more flexible in your setting! But, timing is important: having pictures on a night where all dancers are required to be there (like the dress rehearsal) helps to ensure that all of your dancers actually attend. As far as the photographer, it’s the same situation: are they charging by the night? As a package? That’s up to you and the photographer to figure out.
If you take your recital pictures on the night of the recital, at the venue, you’ll be in great shape to have everyone there, and in a great setting! Keep in mind that you’ll be in a little more of a time crunch, since parents/family/guests will be eager to get into the venue space. Plus, even if you take pictures somewhere different than the stage, dancers will be easily distracted by their family members. Preparing recital pictures will probably be the MOST helpful in this kind of situation.
Depending on the age of your dancers, the simpler the arrangement, the better. Your goal with these recital photos is to make sure everyone’s face is clearly visible. Very basic setups put taller dancers in the back, shorter in the front. From there, you can arrange dancers in a way that shows off costumes, featured soloists, etc.
Depending on your agreement with the photographer, you can ask them to come by the studio to help with this planning. They might be able to offer some creative tips to make your recital pictures really pop!
Even if your professional photographer can’t make it to a planning session, you might know that one of your dance parents enjoys photography, and might be able to help out as well.
Make notes and keep track of every class’ designated position. When it’s time for the official photo shoot, make sure your studio representatives have access to and knowledge about all of the poses for each of the pictures. While poses may be adjusted slightly to work for the camera, this will create efficiency, evoke creativity in the photographic composition, and save time.
*Editor’s Note: This piece is based on an article written by Chasta Hamilton-Calhoun of the DanceExec.
The experienced studio owner knows that putting on a great recital takes a lot of preparation, and a lot of quick thinking! Having the right supplies and tools on hand can make a tremendous difference for you and your staff. We’ve put together a list of (potentially) essential items that will help you have the best recital yet!
Oh before we get started, we’ll include a link to our Dance Competition Survival Kit. Reason being: think STORAGE. In the competition kit, we suggest bringing some kind of rolling container, bag, etc, that is easy to move around and easy to organize.
At the end of the night, you’ll want to be able to pick up all your supplies as quickly and neatly as possible. If you can opt for a few simple storage containers that are easy to move, it’ll save you so much time and energy at the end of an already-tiring evening.
Costume Fixes and Makeup Adjustments
It doesn’t get much more “last-minute” than backstage at the recital!! Having some tools to help you deal with last-minute makeup adjustment and costume fixes will help you do the best job you can before your dancers hit the stage.
Clean up kit (for any on-stage accidents…)
Body tape/butt glue
Nail polish remover
Hot glue gun
It’s so important to have clear communication with your studio staff, venue staff, and any volunteers who are helping to run the show. Clear signage, reliable ways to talk with one another, and lighting for a dark backstage are at the top of the list.
Headsets (instead of walkie talkies, so audience members don’t hear your chatter)
(Multiple) Printed Schedules
Signs for dressing rooms, age or class-specific rooms
Nametags / Buttons / Lanyards / Shirts for volunteers and staff to wear
There are a lot of moving parts (and moving people) at a dance recital. Thinking ahead and preparing to bring (or request that the venue provide) essential event items will keep you from those day-of “whoops” moments!
Fans (for a hot backstage full of moving people)
Extra Gaff tape (for when the first roll disappears somewhere)
Spike tape (to help dancers see their spots in the dark)
Fanny packs, aprons, or other extra-pocket items for your staff
Phone Charger (and outlet brick)
Extra Phone Charger (for when someone borrows the first and it never makes it back to you)
Backup sound system
Coloring books/crayons (for the little ones)
Binder clips (to close any curtains in a dressing area, etc)
Tables and tablecloths (for merchandise, studio marketing materials, admission)
Thank you list (so you don’t forget to thank anyone at the end of the night)
Everyone at the recital (yes, including yourself) needs to take care of themselves in the high-stress, fast-paced environment that is a dance recital. Snacks and beverages should be available for any dancers, as well as you and your staff. Plus, recognize that you and your staff will be moving around A LOT and should think about comfortable (but appropriate) attire for the night.
Presentation and speaking outfit
Water / Gatorade
Granola Bars* / Animal Crackers / Saltines
*Editor’s note: Several readers have mentioned their concern about bringing nuts due to possible peanut or tree nut allergies among the dancers. Be sure to consider any dancers or family members with nut allergies when deciding what to bring, and remember that some severe allergies can be triggered by contact with very small amounts of the allergen.
Are there any other items you’ve found that can really save the day at a dance recital? Let us know in the comments and we’ll add them to our list for other studio owners to see.
Please like and share this article if you thought it was helpful!
The curtain call is the final moment of the show where all of the students re-appear for a final time. This year, I challenged myself to heighten the organization and systemization of our Curtain Call for our varying shows. To do this, I planned out specific curtain call choreography and practiced it in our classes for the weeks leading up to recital.
This is the culmination of your year, as a studio, and the results should appear effortless, organized, and fun for students. Select fun, inspiring music (or a mix of music) that compliments your theme, and delegate times for each group to take their bows.
Each year, the Curtain Call is organized into group numbers (for example, a 2-3 year old class might be Group #1). Prior to curtain call, the hallway backstage is lined up with the group numbers to make the curtain call process easy to fluidly feed into the stage area.
All students are asked to remain onstage after the curtain call. If the students were held in the younger students area, then their room chaperones take them back to their area. If the students were held in the backstage area, they return to their dressing rooms to wait for dismissal.
The final product is a tabled infographic specific to each show and showtime, which you can see below:
CURTAIN CALL 2017
Show Time (7PM)
3-8 Counts to Walk Out / 1-8 Count to Bow / 1-8 Count to Move to Final Pose
This is an easy to read, easy to understand diagram. It will be posted in all of the studio rooms with a copy of the music for class rehearsal. We usually rehearse the Curtain Call for 5 minutes at the end of each class for 4-5 weeks before recital.
Planning a big show takes a lot of time, and a lot of preparation. So, it’s important to get started early!
In putting together the Official TutuTix E-Book, we consulted several studio owners to get an idea of how and when they plan their recitals.
Take a look at the dance recital preparation timeline we’ve created below, and see how it stacks up against your current planning schedule!
According to the studio owners we worked with, these are some recommended checkpoints throughout the year to make sure you’re on track for a successful dance recital.
Use summertime to your advantage by preparing for next year’s recital now! But, keep an easy pace: you’re helping yourself by starting this early, so there’s no need to rush through these early planning sessions.
By August, try and have your music for the recital chosen, even if your choreography isn’t fully fleshed out yet. By having music picked, you can move more quickly to build choreography that fits the music’s narrative. Plan some specific choreography moves – start your dancers on their tougher moves from day one!
Also, go big this year and start planning your performance venue and booking a recital date. The earlier you get your location settled, the sooner you can focus on getting parents involved.
Build some of the tougher choreography moves into class warm-ups and technique sessions. Adjust your choreography to best fit your group of students.
October – December
Keep your dancers’ muscle memory and flexibility intact by continuing to practice the spring’s tougher moves. Come spring, you and your dancers will be pleasantly surprised by the progress that’s ben made all throughout the year!
Set up as much as possible for the final recital before you really dig in and start teaching final choreography. That means:
Finalizing Venue Details
If you can nail down the details early, only a follow-up is needed later in the spring.
February – March
Hopefully the logistics of your recital are mostly taken care of by now, and you’re in full teaching and dancing mode. Don’t forget to wrangle parent volunteers and have costumes fitted, but otherwise put your energy into your students!
Time to follow up with ANYONE and EVERYONE involved with your recital to make sure everything is in order! And, it can’t hurt to send out several final reminder emails to parents.
It’s biggest day of the year for your families. If your students are like mine, they are raring to go! And it’s easy to see why when you consider all of the hard work they have put in over the past year preparing for recitals:
30+ weeks of lessons
2-3 minutes of choreography for each dance
Costume measurements, fittings, exchanges and alterations
Group photos, recital tickets and t-shirts, flower orders and more!
In fact, for every minute of a dance that appears on stage, an average of 100 HOURS of preparation has already been put in before one sequin ever hits the stage. But before you sign off on your dance recital prep, I want you to put ONE MORE HOUR to make sure your recital day is GREAT.
Keep reading for 8 last-minute dance recital prep tips that will ensure you have the best recital day yet!
Schedule a production meeting with your staff
Communication is key to a successful show. Getting your staff together for a final round of show notes, last minute lineup changes and planning for prop transitions will help to avoid surprises during the show. This is also a great time to thank them for all of their hard work to remind them of the positive impact they will have on so many children on show day.
Assign specific staff duties
Make sure your team knows where every staff member should be and what they should be doing during pre-show, backstage, finale, dancer pick up and post-show clean up. Post these assignments backstage and provide printouts for each teacher.
Create signage to dressing and audience areas
Nothing makes parents more anxious on show day than not knowing where to go or feeling like they might arrive late. Help parents get their dancers to the appropriate pre-show gathering place by providing signage and friendly staff/crew members to personally guide the way.
Prepare info-boards for each staff member
Equip your team for success by giving them a clipboard for each show containing all all pertinent show information. Be sure to include all costume information for each class as new parents are likely ask ANY staff member for help, not just their own teacher.
Identify quick changes or back-to-back numbers
Notify back stage crew of any tight spots in show flow that may require changes backstage. Prepare the emcee ahead of time to plan on engaging the audience a little longer between numbers in the event you have back-to-back numbers for any dancers.
Build a backstage entertainment kit
Keep little ones busy while waiting for their turn including non-messy snacks, coloring books, movies and games. Parents will be more confident leaving their little ones in dressing rooms with your staff if they know they will be entertained while waiting for their turn to dance.
Coordinate a backstage show for the little ones
Giving the older students an opportunity to run dances before they hit the stage can double as entertainment for little ones waiting to dance. We call it the “backstage recital”!
Equip your staff to be able to figure things out
We have a saying at recital that says everything is “figure-out-able”. This means that my team has to ability to solve problems in all situations. Lost shoes? We can borrow from someone else? Costume left at home? We can put that dance later to give Dad time to run home? Communicate now that everything is “figure-out-able” if you work together.
Are you looking for some more recital tips and ideas? Check out these other articles and resources from Misty: